A bit about me…

I’m an illustrator based in London. I like to work both in the studio, as well as on location capturing places in the moment.

I use lots of different analogue materials like watercolour, oil pastels, and collage which all have a tactile quality. As an illustrator, I have always drawn using a dip-pen and a pot of ink which gives a bold and expressive line.

When I’m out drawing on location, I don’t usually draw pencil outlines first. I prefer to let the image take shape organically and think about each mark as I go, embracing whatever comes into my field of view.

Working on client-led briefs in the studio is a bit different. I nearly always start with a pencil sketch to visualise the idea first. When it comes to the artwork stage, I often work in separate layers, scanning my hand draw material in and adjusting as needed. This allows for some flexibility depending on the nature of the project.

Represented by The Central Illustration Agency.

Clients include:

Wimbledon, The New Yorker, English Heritage, The National Trust, The Guardian, Borough Market, Hodder & Stoughton, Financial Times, Berry Bros. & Rudd, Radio Times, Goodwood, Rotary International, The Telegraph, Headline Books, SAGA, Ennismore, The Ned, Chelsea Physic Garden, Westfield, Marks & Spencer, Penguin Random House, St. Regis Hotels, Savills, Grand Hotel Kronenhof, Hoare Lea, The SPAB, US Chess Federation, The Poetry Society, Sipsmith, Virginia Living, Head of Zeus, Zurich International School, YBM, Frances Lincoln, Maison Estelle, Bates Hatters of London, Harper Collins